National dance trends in operas «The siege of Dubno» by P. Sokalskiy and «Taras Bulba» by N. Lysenko based on the story by N. Gogol.

Национальные танцевальные тенденции в операх «Осада Дубно» П. Сокальского и «Тарас Бульба» Н. Лысенко на сюжет Н. Гоголя

  • Tetiana Kaznacheeva Odessa National A. V. Nezhdanova Academy of Music.
DOI: https://doi.org/10.31723/2524-0447-2015-21-107-117
Keywords: opera, dance genre, great dance form, small dance form, Polonaise, Gopak, Kazachok.

Abstract

The article is devoted to the existence of national dance trends in opera works of Ukrainian composers of the late XIX — early XX centuries. The embodiment features of the dance genres of Ukrainian and European dance culture are considered on the example of operas by P. Sokalskiy «The Siege of Dubno» and N. Lysenko «Taras Bulba» based on the story novel by N. Gogol.
Keywords: opera, dance genre, great dance form, small dance form, Polonaise, Gopak, Kazachok.

Author Biography

Tetiana Kaznacheeva, Odessa National A. V. Nezhdanova Academy of Music.

KaznacheevaTetiana Oleksandrivna
Ph.D. in the History of Art, lecturer of the department of general and specialized piano Odessa National A. V. Nezhdanova Academy of Music.

Published
2015-12-25
How to Cite
Kaznacheeva, T. (2015). National dance trends in operas «The siege of Dubno» by P. Sokalskiy and «Taras Bulba» by N. Lysenko based on the story by N. Gogol. Music Art and Culturе, (21), 107-117. https://doi.org/https://doi.org/10.31723/2524-0447-2015-21-107-117
Issue
No 21 (2015): Music art and culture
Section
HISTORY AND THEORY OF MUSIC ART AND CULTURE