Typological functions of music and performing dialogue and modern. performing practice.

Типологические функции музыкально-исполнитель-ского диалога и современная исполнительская практика

  • Mariya Marushko South Ukrainian National Pedagogical University named after K. D. Ushynsky
DOI: https://doi.org/10.31723/2524-0447-2015-21-364-375
Keywords: Keywords: musical and performing interpretation, performing dialogue, Piano Concerto, S. Prokofiev, M. Argerich, A. Previn, C. Abbado

Abstract

The article deals with the problem of dialogue pianist and conductor in the performance of Concerto for piano and orchestra as one of the types of creative communication; typological factors and features musical dialogue. As a material are performing two interpretations of the S. Prokofiev Third Piano Concerto by M. Argerich in creative collaboration with conductors K. Abbado.and A. Previn
Keywords: musical and performing interpretation, performing dialogue, Piano Concerto, S. Prokofiev, M. Argerich, A. Previn, C. Abbado.

Author Biography

Mariya Marushko, South Ukrainian National Pedagogical University named after K. D. Ushynsky

Marushko Mariya Borysivna
lecturer of the department of music theory and vocal of the South Ukrainian national pedagogical university of a name of K.D.Ushinsky.

Published
2015-12-25
How to Cite
Marushko, M. (2015). Typological functions of music and performing dialogue and modern. performing practice. Music Art and Culturе, (21), 364-375. https://doi.org/https://doi.org/10.31723/2524-0447-2015-21-364-375
Issue
No 21 (2015): Music art and culture
Section
PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE