Problems of formation of the pianists’ hearing based on the materials of the modern music in the course of choir score reading. The
Задача формирования гармонического слуха пианистов на материале современной музыки в курсе чтения хоровых партитур
Abstract
The article is devoted to the theoretical set of the problem of formation of the harmonic hearing of the students of the piano department of the musical college in the course of choir score reading studies. It defines the requirements for the training course repertoire, designates the universal properties of the harmony in the choral works of the XX century. Particular attention is paid to the identification in the musical text, recognition and artistic assimilation of stable chords (accords) used in the modern music. Some general methodological guidelines of class work choir score reading towards the formation of hearing representations about the regular consonances as an element of the harmonic language are established.
Keywords: modern harmony, choral music of the twentieth century, harmonic hearing, chord, and choir score reading.
