Pieces for solo domra: philosophical-aesthetic and musical-technological base of miniaturization.

П’єси для домри-соло: філософсько-естетичні та музично-технологічні підстави мініатюризації

Abstract

The article is devoted to clarify the solo miniatures’ role and importance in the process of evolution of concert repertoire of domra, revealing actual invoice forms and the ideological-maginative parameters of these works, as well as of performing their concert features feed. Article also emphasizes the originality and specificity of the implementation in the genre of «quiet», chamber miniature domra sound sonorities, also, in the resonant-domra complex.
Keywords: domra, music of domra, solo domra, miniature, miniaturization.