Sonata for violet and piano № 1 Alfreda Schnitke in the context of evolution author’s style.

Соната для виолончели и фортепиано № 1 Альфреда Шнитке в контексте эволюции авторского стиля

  • Yuliia Grybynenko Odessa National A. V. Nezhdanova Academy of Music.
DOI: https://doi.org/10.31723/2524-0447-2016-22-27-37
Keywords: Keyswords: сello sonata, A. Schnitke, intonational unity, monostilistics, pause.

Abstract

The article is devoted to the consideration of figurative-semantic, compositional-dramaturgic and genre-style features of the first cello sonata A. Schnitke in the context of the evolution of his compositional thinking. Attention is focused on dramaturgic techniques, the specifics and range of linguistic means, on the peculiarities of the interpretation of the expressive capabilities of instruments, on the figurative structure of writing, as a landmark in a new round of evolution of the author's style of the composer.
Keywords: сello sonata, A. Schnitke, intonational unity, monostilistics, pause.

 

Author Biography

Yuliia Grybynenko, Odessa National A. V. Nezhdanova Academy of Music.

Grybynenko Yuliia Oleksandrivna
Ph.D. in the History of Art, assistant professor of the department of music history and musical ethnography of Odessa National A. V. Nezhdanova Academy of Music.

Published
2016-09-28
How to Cite
Grybynenko, Y. (2016). Sonata for violet and piano № 1 Alfreda Schnitke in the context of evolution author’s style. Music Art and Culturе, (22), 27-37. https://doi.org/https://doi.org/10.31723/2524-0447-2016-22-27-37
Issue
No 22 (2016): Music art and culture
Section
HISTORY AND THEORY OF MUSIC ART AND CULTURE