No 22 (2016): Music art and culture | Music art and culturе

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DOI: https://doi.org/10.31723/2524-0447-2016-22

Published: 2016-09-28

HISTORY AND THEORY OF MUSIC ART AND CULTURE

Creativity of Ukrainian composers in the context of the evolution of the musical space.

Galyna Zavgorodniaya

8-15
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Choral polonaises O. Kozlovsky in the context of the tradition of Alexander's empire.

Olha Muravska

16-27
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Sonata for violet and piano № 1 Alfreda Schnitke in the context of evolution author’s style.

Yuliia Grybynenko

27-37
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Women-conductors in the interior of Odessa opera house (Echo after a century ... Discoveries ... Coincidences ...)

Nataliya Ostroukhova

38-49
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Riznich Family and Со Enterprise at the Odessa Italian Theatre 1831-1838: the Genesis of the Opera Foreign Engagement.

Kostyantyn Batsak

49-63
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- pdf (eng)
The uniqueness of the heroic character of Radames in “Aida” by G. Verdi as the culmination of the embodiment of the conflict of feelings and duty in opera music.

Valeriy Benderov

64-74
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- pdf (eng)
Image of Medea in the opera of the same name and its L. Kerubini performing version.

ЕRteryna Mirzoyan

75-84
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Olesha’s «The Three Fat Men» in V. Rubin’s different operatic versions.

Oleksandra Kuzmina

85-94
- pdf (Русский)
- pdf (eng)
Manifestation of the principle of specificity of software in the piano cycle E. Granados and M. Mussorgsky.

Nataliya Zayats

95-105
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- pdf (eng)
Spiritual foundation K.K. Pigrov and traditions «orthodox cantata» choir school in the works of Sergei Taneyev.

Olena Litvinenko

106-116
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Basic directions for the development of Odessa school of composers at the present stage.

Hanna Antropova

117-126
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Modern cultural approaches to the study of the fate and creativity of V. Ivasyuk.

Anna Paliychuk

127-136
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- pdf(eng)
Style antinomy «relevant – irrelevant» in modern composite poetics.

Tetyana Mishchenko

136-146
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Musical and instrumental culture of Trypillian civilization (regarding reconstruction).

Olha Oliinyk

147-156
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- pdf (eng)
Provencal «provincialism» in the work of D. Milhaud (based on «Brazilian Dance» and 2nd suite «Skaramush»).

Lu Keting

157-167
- pdf (Русский)
- pdf (eng)
Vocal miniatures of Claude Debussy of the 1890th years: new vector of art searches.

Li Qing

167-178
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Typological features of the Chinese chamber-vocal lyrics in the light of topical music-approaches.

Liu Yuthen

179-188
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- pdf (eng)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

Commenting unpon the musicians’ texts: a ‘slow reading’ or reading with stops?

Serhiy Tyshko

189-206
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Imperatives and maxims of productive scientific school Of I.A. Kotlyarevsky. The first word - the last word ...

Olena Roshchenko (Averyanova)

207-216
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- pdf (eng)
Phenomenon and concept of the canon as basis of orthodox liturgical and singing tradition: from the initial form to "spirit of creativity".

Svitlana Osadcha

217-225
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Eros and Athos as figurative dominants and values of musical art.

Oleksаndra Ovsiannikova-Trel

225-236
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Conceptual system of modern Ukrainian musicology.

Valeriya Marik

237-249
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The development of Ukrainian schools of musicology in the context of ideas systemology.

Iryna Vlasenko

249-261
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Genre and style peculiarities of Concerto grosso for violin and string by Iuliia Gomelskaya.

Anna Lapteva

261-273
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Emotional intelligence of musician-instrumentalist and transitivity of artistic and aesthetic emotions in concert and communicative situation.

Оlena Yergieva

273-285
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The phenomenon of new academicism in modern forms of variety vocal.

Ivan Bobul

285-295
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Maurice Ravel’s world of the game of music

Anastasiya Marushko

295-303
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Spiritual attitude Prokofiev and its projection in the choral works.

Nataliya Lysenko

304-315
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London and viennese interpretations of pianism through the prism of the law of historical synchronization.

О. Stepanova

315-325
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National performing tradition as basis of opera creativity of G. Verdi.

Wang Tie

326-336
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The phenomenon of the shaped-role innering in opera: the hermeneutical aspect.

Wu Huimin

337-346
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The image of the author in the West European chamber-vocal music of the romantic period.

Du Zhou

347-356
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Categorial foundations of musicological study of piano-performing tradition.

Ma Shinsing

356-365
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PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

The Salon tradition in forming of symbolism in piano art of S. Rahmaninov – a performer and composer.

Daryа Androsova

356-365
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Self-dialogue of consciousness of the actor of the musical as professional and personal factor of an avtopoezis

Olha Oganezova-Grigorenko

376-384
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The principles of formation of piano concert and performing traditions of the Western Ukraine in the context of polynational sociocultural processes.

Tetyana Fedchun

384-394
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Some issues of engineering education vocal ensemble sonority.

Tetyana Burkatska

395-402
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Children's collective singing in the church tradition: ways of interaction of «childishness» and choral singing practice

Larysa Dolynska

402-415
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Until supply performing piano music N. Medtner.

Tetiana Shevchenko

415-424
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Style evolution of the generic form of the string quartet in the creativity of B. Tischenko.

Maryna Tereshyna-Osheka

425-436
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About the specifics of virtuosity in jazz piano improvisation

Andriy Pokaz

436-446
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Interactive interaction of a musician-artist and the audience during the concert and artistic communication.

Ekateryna Yergieva

446-457
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Phenomenon of romantic piano virtuosity and creativity C. V. Alkan.

Diana Gultsova

458-468
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Aria genre in correction of methodological studies of vocal teaching in a high school.

Nataliya Kadantseva

469-479
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Fista's piano cycle «Christmas tree»: a new concept of children's music

Zhu Xiaole

479-492
- pdf (Русский)
- pdf(eng)