The uniqueness of the heroic character of Radames in “Aida” by G. Verdi as the culmination of the embodiment of the conflict of feelings and duty in opera music.

Уникальность героического образа Радамеса в «Аиде» Дж. Верди как кульминации воплощения конфликта чувства и долга в оперной музыке

Abstract

Radames is crowned by a series of images of opera characters, which are synthesized in a lyrical, heroic and dramatic spheres shaped, being unique in this regard, and culminating in the development of the world of opera. The inner conflict of duty and sense inherent to Radames, gives him a realistic reliability, creates his image complicated, multi-faceted, evolving. As a result, at aspiration of the composer to the creation musical drama, vocal of Radames is one of the most complicated in the world opera repertoire, have an impact on the further development of the opera performance.
Кeywords: Verdi, “Aida”,  Radames, heroic, conflict.