Instructive etude in the creative work of the wind department of Odessa National A. V. Nezhdanova Academy of Music

Інструктивні етюди в творчій роботі духового відділу Одеської національної музичної академії імені А.В. Нежданової.

Keywords: genre of the etude, technical etude, concert etude, virtuoso, performance style, expressiveness of the clarinet play.

Abstract

The Purpose of the work is consideration technical etude, including offered by author to articles in formed by him three collections, in their concrete directivity on production that or other factors of the virtuoso clarinet technology, that allows to systematize technical material as facility of the mastering by complex actual technically-semantic position in play of the clarinetist-professional. The methdological base of the study is modern intonation performance approach, begin which mortgaged in work of B. Asafiev and which has got the development in musicology of the Ukraine, including in work N. Davydov, V. Apatskij, I. Kotljarevskij, I. Ljashenko, K. Mulberg and others. Specifically select genre-typical and relatively-style methods of analysis. Scientific novelty of the study is provided by originality theorist-methodical position of the author, generalizing its creative-performance experience, as well as the most largest masters of the Odessa clarinet school, in for shortening of the offer of the complex virtuoso skill in concert etude, taking over functions «small encyclopedia» of actual factors skill clarinetist. Conclusions. The etudes usually aim the development of the row technical skill – special in each separate play, but exists the summation their (on Liszt principle!) in one etude as in «small technical encyclopedia». And such sort «summation» semantic and problems of engineering find in concert etude, including in author’s etude and above named Etude I. Olenchik, approved in successful appearances clarinetists of Odessa on responsible international contest.
Keywords: genre of the etude, technical etude, concert etude, virtuoso, performance style, expressiveness of the clarinet play.

Author Biography

Zinoviy Burkackiy, Odessa National A. V. Nezhdanova Academy of Music.

Burkackiy Zinoviy, Ph.D. in the History of Art, аcting Professor, Head of the department of wind and percussion instruments of Odessa National A. V. Nezhdanova Academy of Music

References

1. Beiszhlag A. (1978) Ornamentation in music. Moscow [in Russian].
2. Burkackiy Z. (2002) Eksperimental character of straightening etude clarinet collection up on their placeinin dependent working of the performer. Naukoviy visnyk Odeskoji derzhavnoi conservatorii imeni A.V. Nezhdanovoi. Issue 3. Odesa. P. 214–222 [in Ukrainian].
3. Burkackiy Z. (2001) About specifics of the operation etude in scholastic activity of the clarnetist. Naukoviy visnyk Odeskoji derzhavnoj iconservatorij iimeni A.V. Nezhdanovoji. Issue 2. Odesa. p. 189–198 [in Ukrainian].
4. Mulberg K. (1980) Study some component technology of the clarinetist. Extended abstract of candidate’s thesis. Moscow, GMPI im. Gnesinyh. [in Russian].
5. Rozanov S. (1958) School of the play on clarinet. Moscow, Muzyka. [in Russian].
Published
2017-12-20
How to Cite
Burkackiy, Z. (2017). Instructive etude in the creative work of the wind department of Odessa National A. V. Nezhdanova Academy of Music. Music Art and Culturе, (25), 293-303. https://doi.org/https://doi.org/10.31723/2524-0447-2017-25-293-303
Section
PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE