No 25 (2017): Music art and culture | Music art and culturе

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DOI: https://doi.org/10.31723/2524-0447-2017-25

Published: 2017-12-20

Full Issue

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HISTORY AND THEORY OF MUSIC ART AND CULTURE

Reviving of the greatest from the oblivion: Аntonin Reicha.

Svetlana Miroshnichenko

8-18
- pdf (Русский)
- pdf (eng)
Semantics and compositional functions of instrumental timbre in the works by G. Ustvolskaya (on the example of Composition № 1).

Julia Grybynenko

19-30
- pdf (Русский)
- pdf (eng)
Antonio Pasculli: a synthesis of compositional and performing works

Oksana Andriianova

31-42
- pdf (Українська)
- pdf (eng)
Genesis and genre attributes of the chamber opera

Anatoly Nosulya

42-53
- pdf (Русский)
- pdf (eng)
Genre stylistics of requiems by J. Rutter, B. Chilcott and J. Tavener in the context of the traditions of English choral music.

Yriy Kuchurivsky

54-66
- pdf (Русский)
- pdf (eng)
Іnteraction of recitative and cantilena in the opera works of J. Verdi

Zhang Miao

67-76
- pdf (Українська)
- pdf (eng)
J. Puccini's opera works as a phenomenon of late romantic understanding of the theme "eternally feminine"

Zhang Yiwen

76-87
- pdf (Українська)
- pdf (eng)
Features of opera plotology in the works of the russian composers of the XIX century

Wang Longchuan

87-98
- pdf (Українська)
- pdf (eng)
The concept of "wanderings" in the piano works of F. Liszt (on the example of the cycle "Years of wanderings")

Zhu Xiaole

98-112
- pdf (Українська)
- pdf (eng)
Author’s poetic rhetoric in the operas of M. Rimsky-Korsakov (for example late fairy-tale operas)

Zhu Venfen

113-123
- pdf (Русский)
- pdf (eng)
Meme «Dante» in the works of Sergey Rachmaninov

Li Fanuan

123-134
- pdf (Українська)
- pdf (eng)
«Capriccio on the departure of a beloved brother» (Capriccio sopra la lontananza del suo fratello dilettissimo) by J. S. Bach — as a sample of the genre

Zhang Tiantian

134-146
- pdf (Русский)
- pdf (eng)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

Polyphonic text as an object of musicological discourse

Galina Zavgorodnyaya

147-156
- pdf (Русский)
- pdf (eng)
Religious and cult foundations of creativity G. Sviridov

Svetlana Osadchaya

157-167
- pdf (Українська)
- pdf (eng)
The problem of embodying the traditions of the Ukrainian national melos in the compositional creative of the second half of the twentieth century

Nadezhda Broyako, Veronika Dorofeeva

167-176
- pdf (Русский)
- pdf (eng)
To the question of the formation of the communicative-applied genre «classical music in modern processing» and the functioning of academic works in the mass musical culture

Alexandra Fedorova

176-185
- pdf (Українська)
- pdf (eng)
To the problem of artistic integrity of a musical work as a demonstration of holism of pianist’s personality.

Kateryna Yerhiieva

185-202
- pdf (Русский)
- pdf (eng)
The phenomenon of soliloquium in contemporary composer creativity: to the formulation of the problem

Anna Stoianova

202-214
- pdf (Русский)
- pdf (eng)
Semantic properties of fortepian concertoness as a style paradigm of composite and performance creativity S. Prokofiev (on the example of the second piano concert)

Аyisi Аyisi

215-228
- pdf (Русский)
- pdf (eng)
Compositional and textological functions of the reception of alienation in music

Gan Xiaoxue

228-238
- pdf (Русский)
- pdf (eng)
The problem of artistic synthesis in D.Shostakovich's chamber-vocal cycles

Do Xiaoshuang

239-249
- pdf (Русский)
- pdf (eng)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

Rhapsody concerto for domra with the orchestra by V.P. Zaderatskyi: composer’s interpretation of genre and style model.

Nataliia Lukashenko

250-268
- pdf (Русский)
- pdf (eng)
Ways of forming the Serbian performing guitar tradition: from national cultural settings to unique stylistic techniques

Elena Khoroshavina

269-279
- pdf (Русский)
- pdf (eng)
Historical conditions for concert of Western Ukrainian pianists outside the region and abroad in the 19th–20th centuries

Tatiana Fedchun

279-293
- pdf (Українська)
- pdf (eng)
Instructive etude in the creative work of the wind department of Odessa National A. V. Nezhdanova Academy of Music

Zinoviy Burkackiy

293-303
- pdf (Русский)
- pdf (eng)
Kyiv vocal school on the first half of XX ct.

Olesia Neboha

303-311
- pdf (Українська)
- pdf (eng)
Bayan pieces for folklore motifs by Anatoly Haidenko

Andrii Yeremenko

312-326
- pdf (Українська)
- pdf (eng)
The newest genre and style tendencies in the concept activities of the Academic сhamber сhoir «Khreschatyk» (based on the example of the stage project analysis «Classic for fun: Choir Smiles»)

Dondyk Oksana

326-338
- pdf (Українська)
- pdf (eng)
Musical principles of creating an opera character in the N. A. Rimskogo- Korsakov’s operas

Dong Xinyuan

338-349
- pdf (Українська)
- pdf (eng)
Interpretative-style approaches to the piano art of F. Chopin

He Wenli

350-360
- pdf (Українська)
- pdf (eng)
Aesthetic and compositional foundations of the declamatory-melodic recitative style of S. Barber’s opera «Vanessa»

Guo Qianping

361-373
- pdf (Русский)
- pdf (eng)
The concept of performing arts pianists in artistic discourse

Zhang Xiangyong

373-380
- pdf (Українська)
- pdf (eng)