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No 23 (2016): Music art and culture
DOI:
https://doi.org/10.31723/2524-0447-2016-23
Published:
2016-11-30
HISTORY AND THEORY OF MUSIC ART AND CULTURE
Role Byzantine "image of the world" in the development of musical, cultural and historical traditions of XVIII-XX centuries in Europe.
Olga Muravskaya
9-24
pdf (Русский)
pdf (eng)
Embodiment of the national themes in the works of Joseph Elgiser.
Yulia Kapliyenko-Iliuk
25-35
pdf (Русский)
pdf (eng)
Elements of grotesque in the musical language of the musical “Once in Odessa... Or Sonya – Golden Hand” by Siyana Losinskaya.
Svetlana Polyakovskaya
36-45
pdf (Русский)
pdf (eng)
Style foundations of opera G. Verdi: to the problem of thinking in the opera.
Van Te
46-57
pdf (Русский)
pdf (eng)
Leading tendencies of genre stratification of Ukrainian vocal-pop performances.
Ivan Bobul
58-68
pdf (Русский)
pdf (eng)
Transitivity tendencies in chamber-vocal works of the Russian composers of XIX – the beginnings of the XX centuries.
Andriy Polkanov
69-79
pdf (Русский)
pdf (eng)
The manifestation of the traditions of Orthodox culture in the opera of R. Shchedrin at the beginning of the 21st century.
Ecatherina Nemchenko
79-91
pdf (Русский)
pdf (eng)
"Nights in the Gardens of Spain" by Manuel de Falla in the context of the implementation of the Spanish national idea.
Natalia Zayats
91-103
pdf (Русский)
pdf (eng)
"Transcendental Etudes" by Franz Liszt and Sergei Lyapunov in line with the philosophy and genre-style romanticism searches.
Diana Gultsova
104-116
pdf (Русский)
pdf (eng)
Musical Theatre V. I. Rebikov and traditions of Russian Symbolism.
Аlina Semenova
117-130
pdf (Русский)
pdf (eng)
National and style identification of the Armenian opera on the example of A.Tigranyans opera «Anush».
Gayane Arutyunyan
130-141
pdf (Русский)
pdf (eng)
Lviv Artists Musical critical activities under Soviet Ideology Conditions (on the example of Lviv daily press, 1939-1941)
Mar’yana Pochapska
142-154
pdf (Русский)
pdf (eng)
Neorhetorical criteria of the analysis of the musical-poetic text of S. Rachmaninov’s chamber-vocal works.
Liu Yuthen
155-168
pdf (Русский)
pdf (eng)
Non-Musical factors in instrumental works by F. Liszt (on the example of "The First Year of the Wanderings")
Zhu Xiaole
169-181
pdf (Русский)
pdf (eng)
Fideistic semantics in N.A. Rimsky-Korsakov’s opera creativity
Dong Xinyuan
182-193
pdf (Русский)
pdf (eng)
Prelude-content as the genre paradigm and the stylistic sphere of piano- performing creativity (on material of the russian music).
Ma Xingxing
193-204
pdf (Русский)
pdf (eng)
"The daughter of the Cardinal" by F. Halevy: genre and stylistic and figurative-semantic aspects.
Shang Yong
204-218
pdf (Русский)
pdf (eng)
GENERAL THEORETICAL ASPECTS OF MUSICOLOGY
Basic principles of formation in the aspect of the regularities of the musical space.
Galina Zavgorodnaya
218-227
pdf (Русский)
pdf (eng)
Cyclicality as a key quality of the functioning of the liturgical and singing tradition
Svetlana Osadchaya
228-237
pdf (Русский)
pdf (eng)
Individual-author aspect of style synthesis in piano sonatas V. Silvestrov.
Julia Grybynenko
237-249
pdf (Русский)
pdf (eng)
Musical remix as a factor of forming of ringtone culture philosophy.
Оleg Тaganov
249-259
pdf (Русский)
pdf (eng)
Formation of modern musical style space on the example of creativity of Ukrainian composers.
Veronika Dorofeeva
260-268
pdf (Русский)
pdf (eng)
The noamatic preconditions of style thinking of V. Ivasyuk.
Anna Paliychuk
268-279
pdf (Русский)
pdf (eng)
The interpretation phenomenon in a mirror of a musicological discourse.
Anna Yezerskaya
279-289
pdf (Русский)
pdf (eng)
Instrumental music styles to drama performances (basis on creative work of native composers second half XX century).
Anton Olendarev
290-301
pdf (Русский)
pdf (eng)
Topical issues of a systemic approach in modern musicology.
Anna Polishchuk
302-311
pdf (Русский)
pdf (eng)
Psychological prerequisites and conditions of opera vocal-intonational interpretation.
Wu Huimin
311-323
pdf (Русский)
pdf (eng)
Lyrical as semantic dominant of chamber-vocal creativity.
Du Zhou
323-333
pdf (Русский)
pdf (eng)
Principle of sonata as musical and performing phenomenon in piano creativity of L. Beethoven
Sun Pean
334-344
pdf (Русский)
pdf (eng)
Concept of the form and process of shaping of piano music: holistic approach
Gan Xiaoxue
345-356
pdf (Русский)
pdf (eng)
Actual musicological approaches to the phenomenon of musical rhetoric.
Zhu Venfen
356-368
pdf (Русский)
pdf (eng)
Leitmotivism of the cycle «Intermezzo» ор. 4 by Robert Schumann.
Lu Do
369-379
pdf (Русский)
pdf (eng)
«Divine comedy» Dante in the historical and cultural context.
Le Fanyuan
379-388
pdf (Русский)
pdf (eng)
Capriccio as a concept and a phenomenon
Zhang Tientyan
389-399
pdf (Русский)
PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE
Musical and intonational phenomenology of an avtopoezis of the actor of the musical.
Olga Oganezova-Grigorenko
400-410
pdf (Русский)
pdf (eng)
Historical and performing aspects of the formation of the Western Ukrainian piano tradition.
Tatiana Fedchun
411-423
pdf (Русский)
pdf (eng)
Methodology of Yan Pukhalskyi in bandura theoretical and methodological modern achievements.
Nadiia Broiako
424-433
pdf (Русский)
pdf (eng)
In searching of semantic organization of the role: a figure of D. Gnatiuk in the practice of opera performance in 1958 -1959 years.
Viktor Bondarchuk
433-444
pdf (Русский)
pdf (eng)
Forms of compositional and dramaturgic links in Chopin’s Etudes op. 25.
Аlexey Volik
444-455
pdf (Русский)
pdf (eng)
Collective singing in children's folklore
Larisa Dolinskaya
456-470
pdf (Русский)
pdf (eng)
Method of a hermeneutic approach in transformation of organ choral preludes of J.S.Bach for bandura.
Nataliya Khmel’
471-480
pdf (Русский)
pdf (eng)
Interaction of choreographer and concertmaster as the basis of interpretation process.
Volodymyr Kleschukov
480-490
pdf (Русский)
pdf (eng)
Instrumental-timbre dramaturgy of mixed bayan ensembles.
Bogdan Kislyak
490-499
pdf (Русский)
pdf (eng)
The origins of the genre suite: Johann Jacob Froberger.
Jiang Manny
500-511
pdf (Русский)
pdf (eng)
REVIEWS. COMMENTS. PUBLICISTIC NOTES
Review of the scientific monograph of the Muravska Olha Viktorovna "East-christian paradigm of european culture and music of xviii-xx centuries"
Oleksandra Samoilenko
512-514
pdf (Русский)
pdf (eng)
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