No 23 (2016): Music art and culture | Music art and culturе

Skip to main content Skip to main navigation menu Skip to site footer

DOI: https://doi.org/10.31723/2524-0447-2016-23

Published: 2016-11-30

HISTORY AND THEORY OF MUSIC ART AND CULTURE

Role Byzantine "image of the world" in the development of musical, cultural and historical traditions of XVIII-XX centuries in Europe.

Olga Muravskaya

9-24
- pdf (Русский)
- pdf (eng)
Embodiment of the national themes in the works of Joseph Elgiser.

Yulia Kapliyenko-Iliuk

25-35
- pdf (Русский)
- pdf (eng)
Elements of grotesque in the musical language of the musical “Once in Odessa... Or Sonya – Golden Hand” by Siyana Losinskaya.

Svetlana Polyakovskaya

36-45
- pdf (Русский)
- pdf (eng)
Style foundations of opera G. Verdi: to the problem of thinking in the opera.

Van Te

46-57
- pdf (Русский)
- pdf (eng)
Leading tendencies of genre stratification of Ukrainian vocal-pop performances.

Ivan Bobul

58-68
- pdf (Русский)
- pdf (eng)
Transitivity tendencies in chamber-vocal works of the Russian composers of XIX – the beginnings of the XX centuries.

Andriy Polkanov

69-79
- pdf (Русский)
- pdf (eng)
The manifestation of the traditions of Orthodox culture in the opera of R. Shchedrin at the beginning of the 21st century.

Ecatherina Nemchenko

79-91
- pdf (Русский)
- pdf (eng)
"Nights in the Gardens of Spain" by Manuel de Falla in the context of the implementation of the Spanish national idea.

Natalia Zayats

91-103
- pdf (Русский)
- pdf (eng)
"Transcendental Etudes" by Franz Liszt and Sergei Lyapunov in line with the philosophy and genre-style romanticism searches.

Diana Gultsova

104-116
- pdf (Русский)
- pdf (eng)
Musical Theatre V. I. Rebikov and traditions of Russian Symbolism.

Аlina Semenova

117-130
- pdf (Русский)
- pdf (eng)
National and style identification of the Armenian opera on the example of A.Tigranyans opera «Anush».

Gayane Arutyunyan

130-141
- pdf (Русский)
- pdf (eng)
Lviv Artists Musical critical activities under Soviet Ideology Conditions (on the example of Lviv daily press, 1939-1941)

Mar’yana Pochapska

142-154
- pdf (Русский)
- pdf (eng)
Neorhetorical criteria of the analysis of the musical-poetic text of S. Rachmaninov’s chamber-vocal works.

Liu Yuthen

155-168
- pdf (Русский)
- pdf (eng)
Non-Musical factors in instrumental works by F. Liszt (on the example of "The First Year of the Wanderings")

Zhu Xiaole

169-181
- pdf (Русский)
- pdf (eng)
Fideistic semantics in N.A. Rimsky-Korsakov’s opera creativity

Dong Xinyuan

182-193
- pdf (Русский)
- pdf (eng)
Prelude-content as the genre paradigm and the stylistic sphere of piano- performing creativity (on material of the russian music).

Ma Xingxing

193-204
- pdf (Русский)
- pdf (eng)
"The daughter of the Cardinal" by F. Halevy: genre and stylistic and figurative-semantic aspects.

Shang Yong

204-218
- pdf (Русский)
- pdf (eng)

GENERAL THEORETICAL ASPECTS OF MUSICOLOGY

Basic principles of formation in the aspect of the regularities of the musical space.

Galina Zavgorodnaya

218-227
- pdf (Русский)
- pdf (eng)
Cyclicality as a key quality of the functioning of the liturgical and singing tradition

Svetlana Osadchaya

228-237
- pdf (Русский)
- pdf (eng)
Individual-author aspect of style synthesis in piano sonatas V. Silvestrov.

Julia Grybynenko

237-249
- pdf (Русский)
- pdf (eng)
Musical remix as a factor of forming of ringtone culture philosophy.

Оleg Тaganov

249-259
- pdf (Русский)
- pdf (eng)
Formation of modern musical style space on the example of creativity of Ukrainian composers.

Veronika Dorofeeva

260-268
- pdf (Русский)
- pdf (eng)
The noamatic preconditions of style thinking of V. Ivasyuk.

Anna Paliychuk

268-279
- pdf (Русский)
- pdf (eng)
The interpretation phenomenon in a mirror of a musicological discourse.

Anna Yezerskaya

279-289
- pdf (Русский)
- pdf (eng)
Instrumental music styles to drama performances (basis on creative work of native composers second half XX century).

Anton Olendarev

290-301
- pdf (Русский)
- pdf (eng)
Topical issues of a systemic approach in modern musicology.

Anna Polishchuk

302-311
- pdf (Русский)
- pdf (eng)
Psychological prerequisites and conditions of opera vocal-intonational interpretation.

Wu Huimin

311-323
- pdf (Русский)
- pdf (eng)
Lyrical as semantic dominant of chamber-vocal creativity.

Du Zhou

323-333
- pdf (Русский)
- pdf (eng)
Principle of sonata as musical and performing phenomenon in piano creativity of L. Beethoven

Sun Pean

334-344
- pdf (Русский)
- pdf (eng)
Concept of the form and process of shaping of piano music: holistic approach

Gan Xiaoxue

345-356
- pdf (Русский)
- pdf (eng)
Actual musicological approaches to the phenomenon of musical rhetoric.

Zhu Venfen

356-368
- pdf (Русский)
- pdf (eng)
Leitmotivism of the cycle «Intermezzo» ор. 4 by Robert Schumann.

Lu Do

369-379
- pdf (Русский)
- pdf (eng)
«Divine comedy» Dante in the historical and cultural context.

Le Fanyuan

379-388
- pdf (Русский)
- pdf (eng)
Capriccio as a concept and a phenomenon

Zhang Tientyan

389-399
- pdf (Русский)

PROBLEMS OF CONTEMPORARY MUSIC PEDAGOGY AND PERFORMANCE

Musical and intonational phenomenology of an avtopoezis of the actor of the musical.

Olga Oganezova-Grigorenko

400-410
- pdf (Русский)
- pdf (eng)
Historical and performing aspects of the formation of the Western Ukrainian piano tradition.

Tatiana Fedchun

411-423
- pdf (Русский)
- pdf (eng)
Methodology of Yan Pukhalskyi in bandura theoretical and methodological modern achievements.

Nadiia Broiako

424-433
- pdf (Русский)
- pdf (eng)
In searching of semantic organization of the role: a figure of D. Gnatiuk in the practice of opera performance in 1958 -1959 years.

Viktor Bondarchuk

433-444
- pdf (Русский)
- pdf (eng)
Forms of compositional and dramaturgic links in Chopin’s Etudes op. 25.

Аlexey Volik

444-455
- pdf (Русский)
- pdf (eng)
Collective singing in children's folklore

Larisa Dolinskaya

456-470
- pdf (Русский)
- pdf (eng)
Method of a hermeneutic approach in transformation of organ choral preludes of J.S.Bach for bandura.

Nataliya Khmel’

471-480
- pdf (Русский)
- pdf (eng)
Interaction of choreographer and concertmaster as the basis of interpretation process.

Volodymyr Kleschukov

480-490
- pdf (Русский)
- pdf (eng)
Instrumental-timbre dramaturgy of mixed bayan ensembles.

Bogdan Kislyak

490-499
- pdf (Русский)
- pdf (eng)
The origins of the genre suite: Johann Jacob Froberger.

Jiang Manny

500-511
- pdf (Русский)
- pdf (eng)

REVIEWS. COMMENTS. PUBLICISTIC NOTES

Review of the scientific monograph of the Muravska Olha Viktorovna "East-christian paradigm of european culture and music of xviii-xx centuries"

Oleksandra Samoilenko

512-514
- pdf (Русский)
- pdf (eng)